You know where this is going, darling
1955, USA, Black & White,
Directed by Arthur Garvin. Written by Alan Rys, Daniel Maher, Trick Jones (strictly for marketing purposes)
Starring Trick Jones, Suzanne Leonardo, Kipper Smith
What makes a leading man click with the public? Is it the chiselled jaw? The witty off-the-cuff remarks? The ease of seduction? Or is it all about solid dialogue and well chosen roles? After watching Forthright, what some would call the seminal Trick Jones opus, I'd say a mixture of all three.
As the above breathless commentary suggests, this film has it all, and by all I mean 1950s American beefcake (that was born in Britain but you'd only know because he was knighted later on in life by that Jones fanboy of fanboys, HRH). Which no doubt was the main draw card at the time. But in the modern world women and men demand a more defined visage and so the movie must stand more upon things other than a pretty face. And it does.
Gordon Smith does something at the Mill, something that gives him time to lounge about wearing sharp suits and chatting up the secretaries. So he's probably the boss's idiot nephew or something. But he has another mistress, one that doesn't wear a low cut blouse. Yes, Gordon is an alcoholic, but the good kind, one who solves crime. I could go on for hours, but why, when you really came just to see a blurred still of Jones leaning on the bar?
Quotable – "Ma'am, the only list you forgot today was the one with my name on it. Next to yours."
Reviewed by Juan Incognito
